From Icon to Diagram: Serpentine Gallery Pavilion 2012, Herzog & De Meuron and Ai Weiwei
Palabras clave:
Serpentine Gallery, Herzog & de Meuron, Ai Weiwei, Representation, AppropriationResumen
Abstract
The broad semantic field that stems from the fruitful interaction between architecture and representation can be projected onto two separate surfaces. The first one deals with the symbolic function of buildings, that is, with their mandate to represent a particular system of values. The second, in turn, deals with the documents of architectural design –plans, sections or visualizations–, partial representations that anticipate and mediate the construction of buildings.
The 2012 Serpentine Gallery Pavilion, designed by Herzog and de Meuron and Ai Weiwei, was conceived as a response to the dual nature of architectural representation as stated above. On the one hand, it is a building that intended to negate the symbolic essence of the commission, devoted to the promotion of the most innovative contemporary architecture, by avoiding the generation of an iconic solution. On the other, it is a building that stems from a design process based on the instrumentalization of the drawings of previous pavilions, in a way its geometry can be traced back to the intersection of their plans. Thus, it is through the combination of precedent representations that the designers tried to hinder the symbolism of a building that is mostly conceived for media purposes.
Descargas
Referencias
ALLEN, Stan: Practice: Architecture Technique + Representation. G+B Arts International Ed., Amsterdam, 2000.
EISENMAN, Peter: Aspects of Modernism: Maison Dom-ino and the Self-Referential Sign. En Oppositions, 15/16, 1979.
EVANS, Robin: Translations from drawing to building. En AA Files, 12, 1986.
EVANS, Robin: Traducciones. Trad. Moisés Puente, Pre-Textos Ed., Girona, 2005.
HANSEN, Mark: New Philosophy for New Media. MIT Press Ed., Cambridge, 2004.
HERZOG, Jacques; O’BRIEN, Sophie; LARNER, Melissa; FEELEY, Claire; DE MEURON, Pierre: Herzog & de Meuron Ai Weiwei: Serpentine Gallery Pavilion 2012. Serpentine Gallery-Koenig Books Ed., London, 2012.
JENCKS, Charles: The Iconic Building: The Power of Enigma. Frances Lincoln Ed., London, 2005.
KRAUSS, Rosalind: Notes on the Index: Seventies Art in America. En October, 3, 1977.
KRAUSS, Rosalind: Notes on the Index: Seventies Art in America. Part 2. En October, 4, 1977.
KRAUSS, Rosalind: La Originalidad De La Vanguardia Y Otros Mitos Modernos. Alianza Editorial Ed., Madrid, 1996.
OTERO VERZIER, Marina: Arquitecturas de circulación y acumulación: el remontaje de los pabellones de la Serpentine Gallery. En ARQ, 90, 2015.
RATTENBURY, Kester: This is Not Architecture: Media Constructions. Routledge Ed., London, 2005.
SOMOL, Robert; WHITING, Sarah: Notes around the Doppler Effect and Other Moods of Modernism. En Perspecta, 33, 2002.
VIDLER, Anthony: Diagrams of Diagrams: Architectural Abstraction and Modern Representation. En Representation
Descargas
Publicado
Número
Sección
Licencia
1. Los autores conservan los derechos de autor y garantizan a la revista el derecho de una Licencia Creative Commons Atribución-NoComercial-SinDerivar 4.0 Internacional que permite a otros compartir el trabajo con un reconocimiento de la autoría.
2. Los autores pueden establecer por separado acuerdos adicionales para la distribución no exclusiva de la versión de la obra publicada en la revista (por ejemplo, situarlo en un repositorio institucional o publicarlo en un libro).
