El retrato en la docencia de las bellas artes = The portrait in the teaching of the fine arts
DOI:
https://doi.org/10.20868/ardin.2019.8.3869Keywords:
Retrato, Autorretrato, Pintura, Docencia, Bellas Artes, Portrait, Selfportrait, Painting, Teaching, Fine Arts.Abstract
Resumen
Centrándonos en el retrato desde un punto de vista pictórico, su ejecución no consiste en hacer únicamente un inventario físico, pues el físico debe de ser el vehículo que nos hace penetrar en el retratado. En relación a la enseñanza de este género desde la pintura, si bien podemos decir que hay tantas maneras de ejecutar un retrato como pintores existen, en la etapa de formación es necesario canalizar al alumno mediante unas pautas de trabajo determinadas, las cuales van desde la realización de ejercicios los cuales podíamos denominar de síntesis, para pasar posteriormente a una apertura de superficies en donde toma mayor relevancia el estudio de la fisonomía, así como la pincelada.
Abstract
Focusing on the portrait from a pictorial point of view, its execution does not consist in making only a physical inventory, since the physical must be the vehicle that makes us penetrate the portrayed. In relation to the teaching of this genre from painting, althoughwe can say that there are as many ways to perform a portrait as painters exist, in the stage of formation it is necessary to channel the student through certain work patterns, ranging from the realization of exercises which we could call synthesis, to pass later to an opening of surfaces in which the study of the physiognomy, as well as the brushstroke, becomes more relevant.
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References
D´ors, Eugenio: «Notes about portrait and self-portrait», Catalog of the exhibition of Self-portrait of Spanish Painters 1800-1843, (Notas sobre el retrato y el autorretrato, Catálogo de la Exposición de Autorretratos de Pintores Españoles 1800-1843), National Museum of Modern Art, Madrid, 1943, p. 19
Vollard, Ambroise. Portraits: from Cézanne to Picasso, (Retratos: de Cézanne a Picasso), Casimiro Editorial, Madrid, 2014.
Pérez de Ayala, Ramón: “Sorolla”. The Press. Buenos Aires, 7th October of 1923. Ramón Pérez de Ayala and plastic arts, p. 245.
Rincón García, W (1991): The self-portrait in spanish painting. From Goya to Picasso. (El autorretrato en la Pintura Española. De Goya a Picasso), Madrid, Mapfre Vida Cultural Foundation.
Vollard, A (2014): Portraits: from Cézanne to Picasso, (Retratos: de Cézanne a Picasso), Madrid, Casimiro books.
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