Chillida in America. An encounter with modernity on the other side of the Atlantic

Pablo López-Martín


DOI: https://doi.org/10.20868/cpa.2023.13.5181

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Resumen


In 1958 Eduardo Chillida received a scholarship from the Graham Foundation of Chicago in which he was encouraged to explore deeper into those aspects of his work that are closest to the architectural discipline.
Behind this scholarship there were essential figures for the dissemination of the values of modern architecture in America such as Mies van der Rohe, Sigfreid Giedion or Josep Lluis Sert. Chillida's work shows a step from the Ikaraundi, which began in 1957, to the works that are decidedly interested in spatial phenomena (the Praise of Architecture or the Meeting Places) at the end of the 60s. This year of scholarship of hinge and approach to the field of architecture as he himself recognizes in the report that he will write for its reception. This chapter of his biography has until now barely been considered to explain this momentous turn in his career.

Palabras clave


Eduardo ChillidaSculpture; Modern architecture; Weightlessness; Abstraction

Referencias


Barañano, Kosme M. de. "In memoriam. Chillida: más alla", Pérgola, 17 de octubre, 2002.

Barañano, Kosme M de. "El concepto de espacio en la filosofía y la plástica del siglo XX" , Kobie (serie Bellas artes), 1983

Giedion-Welcker, Carola. “La poésie de l'espace chez Eduardo Chillida", Derrière le Miroir, 1964.

Chillida, Eduardo. Escritos. Madrid: La Fábrica, 2016.

Madrilejos, Sol/ Sancho Osinaga, Juan Carlos. “Breve conversación con Eduardo Chillida”. El Croquis, 1996

Navarro Baldeweg, Juan. Una caja de resonancia. Madrid: Pre-Textos, 2017

Prada, Manuel. Arte y Vacío. Sobre la configuración del vacío en el arte y la arquitectura. Buenos aires: Nobuko, 2009

Jorge Ramos-Jular, “La habitación está vacía y entra el habitante”. Congreso JIDA´18 V Jornadas de Innovación docente en Arquitectura, Universidad de Zaragoza, 2018.


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